Challenge Submissions

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Clarendon in the Summertime (My So-Called Family)

Ken

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Everything You Can

Julie Sharbutt

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Liz-at-Law

Douglas Stark

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Home

Adrienne Thorne

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A Good Family

Damon Colquhoun

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Roomates Wanted: Alive and Other

Pamela Winfrey

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Home

Nancy Ma

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Standing In Water

Kathleen M Caprario-Ulrich

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Opposites Attract

Alison Wroblewski

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KNITTING LESSONS

Roz

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CONFESSION

Nikki Palumbo

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WFLO (Welcome to My Family of Men)

Lee Kitchen

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family

John Cale

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The Hancocks

Pedro Lisbao

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Achiever

Michelle Krusiec

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Hot Tortillas

Nicolas Jara

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Missing Persons

Sandra Hughes

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The Zehnders

Matt Zehnder

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La Familia Lopez

Aurora Aguero

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Challenge is closed
Winner

A Good Family

Damon Colquhoun

Writer-Director

A half hour Dramedy

After a struggling working-class couple enrolls their gifted 5-year-old son in an elite Upper East Side private school, they seize the opportunity to network their way to their own success with a lie that forces them to fake it till they make it or risk their son’s golden ticket.

My wife and I come from working-class backgrounds. We’ve since worked our way up to somewhere between the Middle Class and the Upper Middle Class. The final push into the upper classes has proven to be a bit of a mystery for people like us. After enrolling our 5-year-old son into one of New York City’s elite Ivy League private schools, I discovered that the school was a wonderful place for an ambitious parent to network and climb, but it’s a tricky course to navigate. The exploration of that journey led to this story.

The opening scene(s) of any TV pilot (the first episode of a new show) are crucial in hooking an audience. Using your own family experience as inspiration, write the first 5-10 pages of your pilot script. This is your opportunity to establish the tone, introduce the primary character(s), the essential problem, the ongoing story, and give a sense of the world. Write this scene/sequence as a comedy, drama, or dramedy in a genre of your choice and have fun! 



CHALLENGE RULES

Our monthly challenges are open to everyone in the Sundance Co//ab community. One entry per person, per challenge. All submissions will be viewable to the community. Each person who participates will receive a completed feedback form on the work they submit by one of our Sundance judges. All submissions will be given equal consideration and the final winner will be determined by the consensus of the designated Sundance judges.  


Only those submissions that meet the criteria outlined in the submission guidelines will be able to be selected as the winner. 


PRIZE

The winner will receive a Sundance Co//ab subscription for one year, a one-on-one mentoring session with a Sundance Advisor, a free master class, and will be featured prominently on the site.

Submission Guidelines

One entry per person, per challenge. While you are free to submit work of any length, this site is focused on work in progress, and you will find that you will get more feedback with more targeted, shorter, selected work.

It will help the person giving feedback to know where you are in your process: is this a first draft or cut, a revision, a nearly final version of your work?

If you have specific questions about your work, please be sure to add those so that you can get the most targeted feedback possible.

Technical Details

Videos: Accepted Video File Formats: AVI , FLV, MOV, MP4 or MPEG-2. Note: If you choose to upload a .MOV file make sure that it is not using the Apple ProRes compression. We do not support reading Apple ProRes files or raw camera formats like ARRI and RED at this time. 


Scripts: PDF format only, please


Podcasts: Accepted Audio File Formats: AIFF, ACC, FLAC, MP3, MP4, OGA, OGG, and WAV


Other: If your file format fits outside of the video, pdf, audio file category, please Contact us and we will see if we can accommodate it.


(Please do not use copyrighted material without permission as part of this Challenge.)

Meet Our Jury
John Lopez
A Los Angeles native, John Lopez has covered film and the arts for Grantland, Vanity Fair online and Bloomberg Business Week. His short PLAN B, starring Randall Park and Rosa Salazar, was a finalist in the NBC Short Cuts Film festival; he also directed segments for NBC’s 2014 Actor’s Showcase and served as associate producer on Hossein Amini’s film THE TWO FACES OF JANUARY. In 2015, John was selected as a fellow for the Sundance Episodic Lab with his pilot CRUDE. Most recently, John has written for Netflix’s crime drama SEVEN SECONDS and CBS All Access’s STRANGE ANGEL. He is currently writing for CBS Studios’ upcoming television adaptation of Nicolas Roeg’s classic film THE MAN WHO FELL TO EARTH. more...
Christi
Writer
Los Angeles, California, United States
In 2015, Hedtke was selected for the Sundance Institute’s Episodic Story Lab. In 2017, she was named a fellow of the Warner Brothers Television Writers Workshop. She’s been a contributor to Filmmaker Magazine, MovieMaker Magazine, and wrote on Nick Jr.’s animated series "Sunny Day". She is currently writing on "Chilling Adventures of Sabrina" for Netflix. more...
Marlena Rodriguez
Writer
Los Angeles, California, United States
Marlena Rodriguez has written for Netflix's UNBREAKABLE KIMMY SCHMIDT, and ALL ABOUT THE WASHINGTONS, TBS's CLOSE ENOUGH, George Lopez's LOPEZ, and The Second City Chicago. more...
Matt Young
Writer
Topanga, California, United States
Matt Young is an alum of both the Sundance Episodic Story Lab and the Warner Bros. Television Writers Workshop. He's currently a writer/co-producer on KUNG FU on the CW, and previously wrote on Seasons 3, 4, and 5 of BLINDSPOT on NBC. Matt has penned feature scripts for Stage 13, Netflix, MarVista Entertainment and the German-based Rat Pack Filmproduktion. Matt is a father and husband; the son of a small-town Chief of Police; a banjo-picker; an improv comedian; a university screenwriting instructor; and a super nerdy Dungeon Master. more...

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