About this submission

A female director and filmmaker, Inanna, who also is a former Harvard psychologist, holistic healer, shaman, disenchanted relationship counselor and open relationship artist, decides to create her own film studio in the mountains of California and hire the world’s leading male actors to re-write famous films they acted in to consecrate endings that only explore “The Power of Love,” not hate or any other ending.

As Inanna struggles to raise funds and find a property to explore the potential of her “Power of Love Project,” she gets the bright idea to enter her documentary short about “Shamanism and the Power of Love” into the Sundance Institute Film Festival where her aim is to seeks out Robert Redford to share her “Power of Love” Project and studio idea.

Grass Valley, CA, USA
As a graduate of Hunter College in NYC, having majored in Philosophy and minored in Multidisciplinary Arts, I had the upfront and personal pleasure to witness in the 90s and early 2000, an expansive “Golden Age” of multicultural cross-disciplinary pioneering during those times. Having had the opportunity to live, work, and befriend many incredibly multi-disciplinary NYC artists, I witnessed first-hand breakthroughs with many of my artist and musician friends, where creativity was exploding in the areas of drawing, music, poetry, fiction writing, painting, sculpture, filmmaking, theatre, documentary filmmaking, screenplay writing, photography, performance art, and dance, and all forms of cross-bred fusion, all during a PostModern Era where “anything goes,” which provided a unique understanding of how “envelopes” were being pushed; stereotypes challenged; and new art form were being created. As an advocate for environmental protection , climate change activism, human rights, human evolution, animal rights, gender equality, indigenous justice, ethical diplomacy, and fulfilling the SDGs by 2040, I hope to make impactful contributions in these areas through film. I also hope to more fully exploring issues and stories around identity, karma, hereditary lineage, family, and collective indigenous cultural histories as karmic impacts over time... As a Chinese-Phillipino-American writer and filmmaker I hope to bring greater voice and authentic significant representation to those who are not seen or heard. more...

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