The three main notions that run through my films are that of reality,
poetry and Afrofuturism. When I testify through cinema, I am committed to illuminating the vision of the world being
African. Mulika is a film which combines the universal stakes of culture and technology, the wheels by which the world
turn; but also the determination to realise the dreams of a better world. This framework of culture and technology push
us to question the future of Congo, a country with gigantic mineral deposits but with a population that does not benefit
from them.