The three main notions that run through my films are that of reality, poetry and Afrofuturism. When I testify through cinema, I am committed to illuminating the vision of the world being African. Mulika is a film which combines the universal stakes of culture and technology, the wheels by which the world turn; but also the determination to realise the dreams of a better world. This framework of culture and technology push us to question the future of Congo, a country with gigantic mineral deposits but with a population that does not benefit from them.
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