Jun 21 - Aug 15
Documentary Filmmaking: Crafting Your Story in Post
Registration is open until May 25, 2021
Maxine Trump

Course applications are now being accepted. APPLICATION DEADLINE: Tuesday, May 25 at 2pm PT. 

Acceptances start after the deadline, and occur on a rolling basis.


In documentary filmmaking, the story is largely crafted after the footage has been shot. Learn how to develop your film’s story in the edit room, with accomplished documentary filmmakers as your guides. In this live, online course, you will deepen your understanding of and engage in the post-production process with a specific lens on your work-in-progress documentary.

You will engage in topical, participatory lecture and discussion sessions each week with the lead instructor. In five of the sessions, you will move from that week’s lecture into a breakout session with a course advisor and peers where each participant will get an opportunity to workshop and receive feedback on material from their current projects. One session also includes special guests from the Sundance network who will discuss strategies for distribution and impact campaigns after the film is complete. Weekly assignments include review of peer work as well as reading and research exercises designed to deepen your understanding of the post-production process. The course concludes with a one-on-one mentoring session with your advisor focused on your project. 


By the end of the course, you will:

  • identify various documentary formats and determine your own film’s genre and approach.
  • understand the technical post-production workflow and how to successfully collaborate with your editor.
  • determine how to find the strongest themes, characters, and storylines from among your logs and footage.
  • learn how to write your documentary script using tools such as beat sheets and a paper edit.
  • understand how to incorporate the use of third-party materials such as music and archival footage.
  • workshop a sequence or scene from your current project to help troubleshoot and move forward on your story development.
  • know the steps necessary for finalizing and delivering a project such as color correction, credits, and creating E&O clearance logs.
  • establish an understanding of possibilities for distribution and social impact campaigns around your film.

This course is ideal for:

  • directors, producers, or first-time feature editors who are at the post-production stage on a current documentary project.
  • filmmakers who have at least half of their footage shot and are looking for guidance in organizing their project for editing and finding the material within their footage that will create the most compelling story.
  • filmmakers in post-production who are feeling stuck on a particular scene or sequence and would benefit from workshopping that scene in a group of peers and advisors.

Course enrollment is approximately 30 participants per session, with a participant to advisor ratio of ten to one. To apply, you must be currently working on a documentary film in which you will have completed 50% of the principal photography by the course start date.



COURSE DETAILS

The course will be held live in our virtual classroom. All sessions are recorded for registered participants who are unable to attend live.

Sundance Co//ab provides accommodations and support services to participants with disabilities. Accommodations and services are designed to meet the needs of each participant. Please email us at collab_courses@sundance.org to arrange for services. .

  • DURATION: Eight weeks, June 21 - August 15
  • SCHEDULE: Monday, 10am - 12pm PT
    • Extended first class session: Monday, June 21, 10am - 1pm PT
    • One-on-one mentoring sessions are held between Aug 9 - Aug 15
  • APPLICATION DEADLINE: Tuesday, May 25 at 2pm PT



TO APPLY

Click the yellow “Apply Now” button on the top right of the page.

Instructor
Maxine Trump got her start in radio and television, working for seven years in program development for BBC Comedy in the UK. She emigrated to the US to become a director of television commercials and has received both Gold and Silver BDA awards for her work. more...

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