Join Feature Film Program Deputy Director Ilyse McKimmie and Sundance Lab alum Christopher Makoto Yogi (I WAS A SIMPLE MAN) for an informational session about applying for Development Track programs and fellowships, as well as Yogi's personal experience attending the Screenwriters and Directors Labs and eventually premiering I WAS A SIMPLE MAN at the 2021 Sundance Film Festival. The conversation will be followed by a live Q&A session to answer your questions surrounding the application process for this year's development track. If you're planning to apply, bring your questions about what we look for in an application, the right time to apply, the specifics of our programs, and more. For a complete description and eligibility information for the 2022 Development Track, please visit our website.


 

This event is free and open to the public with registration. This event will be recorded, by participating you grant the Sundance Institute non-exclusive license to use your name and likeness for Sundance Institute Programming.


If you have a disability and require accommodation in order to fully participate in this event, please complete this form, contact us at (435) 776-7900 or email us at accessibility@sundance.org to discuss your specific needs. Every effort will be made to accommodate advance requests; requests made within 5 days of the event may not be guaranteed.


Moderator
Los Angeles, CA, USA
Ilyse McKimmie is the Deputy Director for Sundance Institute's Feature Film Program. She oversees the Directors and Screenwriters Labs and the Screenwriters Intensive, provides year-round creative and strategic support to alumni filmmakers, and plays a key role in the Producers and Episodic Programs. Films developed at the Labs during her tenure include Dìdi (弟弟), A Thousand and One, Aftersun, Nanny, The 40-Year-Old Version, The Last Black Man in San Francisco, The Farewell, Sorry to Bother You, We the Animals, Beach Rats, Swiss Army Man, Diary of a Teenage Girl, Fruitvale Station, Beasts of the Southern Wild, Pariah, Sin Nombre, Red Road, Me and You and Everyone We Know, Paradise Now, and Maria Full of Grace, among many others. Before joining Sundance 25 years ago, she held positions at ICM and Red Wagon Entertainment. Her roots lie in the theater; her first job after graduating from UCLA was as a production stage manager in the Los Angeles theater scene. more...

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