Paula Vogel has written How I Learned to Drive (Pulitzer Prize, New York Drama Critics Award, Obie Award, Lucille Lortel, Drama Desk, Outer Critics Circle and many more.) Other plays include A Civil War Christmas, The Long Christmas Ride Home, The Mineola Twins, Hot 'N' Throbbin, The Baltimore Waltz, Desdemona, And Baby Makes Seven, and The Oldest Profession.
Her plays have been produced by Second Stage, New York Theatre Workshop, the Vineyard Theatre, Roundabout, and Circle Repertory Company. Her plays have been produced regionally all over the country at the Center Stage, Intiman, Trinity Repertory, Woolly Mammoth, Huntington Theatre, Magic Theatre, The Goodman Theatre, American Repertory Theatre, Dallas Theatre Berkeley Repertory, andAlley Theatres to name a few. Harrogate Theatre and the Donmar Theatre have produced her work in England.
Her plays have been produced in Canada, Great Britain, Ireland, Australia and New Zealand as well as translated and produced in Italy, Germany, Taiwan, South Africa, Australia, Romania, Croatia, the Czech Republic, Poland Slovenia, Canada, Portugal, France, Greece, Japanese, Norway, Finland, Iceland, Peru, Argentina, Chile, Mexico, Brazil and other countries.
John Simon once remarked that Paula Vogel had more awards than a “black sofa collects lint.” Some of these include Induction into the Theatre Hall of Fame, Thornton Wilder Award, Lifetime Achievement from the Dramatists Guild, the William Inge Award, the Elliott Norton Award, two Obies, a Susan Smith Blackburn Award, the PEN/Laura Pels Award, a TCG residency award, a Guggenheim, a Pew Charitable Trust Award, and fellowships and residencies at Sundance Theatre Lab, Hedgebrook, The Rockefeller Center’s Bellagio Center, Yaddo, MacDowell, and the Bunting.
But she is particularly proud of her Thirtini Award from 13P, and honored by three Awards in her name: the Paula Vogel Award for playwrights given by The Vineyard Theatre, the Paula Vogel Award from the American College Theatre Festival, and the Paula Vogel mentorship program, curated by Quiara Hudes and Young Playwrights of Philadelphia.