As an interdisciplinary artist, I use film to give form to the intangible, often working within magical realism. White Noise explores what it means to be haunted by something unreal yet persistent and uninvited. I’m interested in expressing somatic emotion, experiences that live in the body as much as the mind. What draws me to film is its ability to weave image and sound into a single sensory language, and in this piece especially, sound is as vital as the visuals in shaping the emotional landscape.