"The Father, The Son, and The Holy F*cking Spirit" explores the gray areas where love and power collide. Told through a dreamlike visual language, the film serves as a dark allegory for intimacy turned coercive. It reflects the quiet aftermath of relationships built on uneven ground, where desire and dominance blur.

As a queer filmmaker, I am drawn to stories that unsettle. Stories that live at the intersection of longing and harm. With this film, I aim to contribute to the conversation on power: how it is weaponized, how it distorts relationships, and what it leaves behind.