While I've been composing and recording music for decades, this project marks my debut in sound design. I discovered the submission opportunity just one day before the deadline—a race against the clock that fueled the final result.

Taking direct inspiration from the movie's "found footage" concept, I constructed the entire soundscape by manipulating "found sounds"—archived material and random audio captured recently on my phone. The resulting piece is a hypnotizing, pulsating clash of electrostatic and natural textures, culminating in an auditory assault designed to evoke the disorientating delirium of mind-manipulating dread.