Join Sundance Collab and BIPOC Doc Editors for a live, online conversation with the editing team behind one of the most acclaimed documentaries of 2025. Come See Me in the Good Light premiered at the Sundance Film Festival, where it won the Festival Favorite Award, and went on to receive an Academy Award nomination for Best Documentary Feature.


This discussion will feature the film’s editor Berenice Chávez (Pamela: A Love Story) and assistant editor Aliyah Bryant (Couples Therapy).


Directed by Ryan White, Come See Me in the Good Light is an enormously moving portrait of American poet Andrea Gibson. Gibson was a celebrated writer, performer, and activist whose work addressed gender norms and LGBTQ identity. The film charts a tumultuous year toward the end of their life as they battled ovarian cancer. Far from a bleak viewing experience, the film serves also as a stirring depiction of queer love and a spirited showcase for Gibson’s verbal wit.


Come See Me in the Good Light was purchased by Apple after its premiere and is now available to stream on Apple TV. The film’s many accolades include:

  • Outstanding Non-Fiction Feature, Cinema Eye Honors
  • Top Five Documentaries, National Board of Review
  • Audience Award, Hot Docs Festival
  • Best Documentary, Seattle International Film Festival

In this session, Chávez and Bryant will dissect key scenes and discuss their collaboration on the edit process. The presentation will conclude with an audience Q&A, where attendees can learn more about how the pair edited this emotional documentary.


This event is part of the “Inside the Edit with BIPOC Doc Editors” series, a program hosted by Sundance Collab in collaboration with BIPOC Doc Editors. Follow these links to watch our previous events in this series, which included the films Spermworld, Patrice: The Movie, Sabbath Queen, and Cutting Through Rocks.


If you would benefit from an accommodation to fully participate in this event, please complete this form, contact us at (435) 776-7790, or email us at accessibility@sundance.org to discuss your specific requests. Every effort will be made to accommodate advance requests; however, requests made within 5 days of the event may not be guaranteed.


A recording of this session will be posted to Sundance Collab on the first business day after the live event. All registered attendees will receive an email with a link to view the recording at no cost for two business days after it is posted. After that, on-demand access to the recording can be purchased for $10.

Berenice Chávez is a Los Angeles-based Latina documentary film editor with a passion for shaping emotionally resonant, character-driven stories. After earning her MFA in Film Editing from the American Film Institute in 2016, she has edited several acclaimed documentary features, including COME SEE ME IN THE GOOD LIGHT (Apple TV+), which premiered at the Sundance Film Festival and won the Festival Favorite Award. more...
Aliyah Bryant is a Los Angeles-based Black documentary film and television associate editor. She earned a BFA in Film Editing and Sound Design from the University of North Carolina School of the Arts and has since worked on several documentary projects, including serving as lead assistant editor on the Oscar-nominated documentary COME SEE ME IN THE GOOD LIGHT (Apple TV+). Her other credits include associate editor on the docu-series COUPLES THERAPY (Paramount+) and the Sundance Film Festival–premiering film COOKIE QUEENS. more...
Moderator | Digital Course & Event Producer
Soheil Rezayazdi is a Digital Course & Event Producer at the Sundance Institute, where he produces multi-session courses, master classes, filmmaker Q&As, and other digital programs for Sundance Collab. Prior to Sundance, Soheil served as the Nonfiction Programs Manager at the Gotham Film & Media Institute. He oversaw the Gotham’s core documentary programs: the Documentary Feature Lab, the Spotlight on Documentaries project market, and the Documentary Development Initiative in partnership with HBO Documentary Films. Soheil has worked with emerging filmmakers since 2015, when he began a seven-year tenure at the Columbia University MFA Film Program. At Columbia he managed the Columbia University Film Festival (CUFF), the Dr. Saul and Dorothy Kit Film Noir Festival, and the Carla Kuhn Memorial Speaker Series. more...

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