Directing: Workshopping Your Feature (Mar. 2020)

With: Andrew Wagner and Harrison James
$495

No sessions scheduled.

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3
Directing: Workshopping Your Feature (Mar. 2020)
3
Directing: Workshopping Your Feature (Mar. 2020)

About this Course

The application period for the course has ended. Watch the Sundance Co//ab newsletter for updates on future course offerings.


Expand on your director's toolkit with an experienced director as your guide, in this eight-week course. You will learn how to translate your work from script-to-screen; from breaking down your story, to directing actors, to visual storytelling. The course will focus on analyzing a scene from your feature script and then discussing it in class. Sessions include presentations, interactive exercises, and analysis. The course concludes with a one-on-one mentoring session focused on your project. 


Eligibility requirement: Feature script and completion of Directing: Core Elements or feature script and completion of at least one short as director.


The course will be held live in our virtual classroom. All sessions are recorded for registered participants who are unable to attend live.

  • DURATION: Eight weeks, March 20 - May 17 
  • SCHEDULE: Fridays, 10am - 12pm PT 
    • Extended first class session: Friday, March 20, 10am - 1pm PT
    • No class on March 27
    • Extended last class session: Friday, May 8, 10am - 1pm PT
    • One-on-one mentoring sessions are held between May 10 - 17



Course
All experience levels

Team

Andrew Wagner

Instructor

BREAKABLE YOU, starring Holly Hunter, Tony Shalhoub, Alfred Molina, Cristin Milioti and Omar Metwally, is writer/director Andrew Wagner’s third feature film. It had its World Premiere at the 2017 Palm Springs International Film Festival and screened in the Film Independent Series at the LACMA, curated by Elvis Mitchell. BREAKABLE YOU was released by Sony Pictures Worldwide Acquisitions in March 2018 and is currently streaming on Hulu.

 

Andrew’s second feature, STARTING OUT IN THE EVENING, starring Frank Langella, Lili Taylor, and Lauren Ambrose, premiered in competition at the Sundance Film Festival in 2007 and was released theatrically by Roadside Attractions. Frank Langella was voted Best Actor of 2007 by the Boston Critics Association and was Runner-Up for Best Actor in voting by critics associations in Los Angeles, Chicago, and Dallas/Ft. Worth. STARTING OUT IN THE EVENING was named one of the Top 10 Independent Films of 2007 by the National Board of Review and made over 30 critics’ Best Films of 2007 lists, including A.O. Scott’s and Stephen Holden’s of the NEW YORK TIME, and Roger Ebert’s of the CHICAGO SUN-TIMES. It was nominated for two Spirit Awards: Best Male Lead and Best Screenplay.

 

Andrew’s first feature, THE TALENT GIVEN US, was an Official Selection at the 2005 Sundance Film Festival. THE TALENT GIVEN US also won the Jury Prize at the CineVegas Film Festival and Best First Feature at Michael Moore’s Traverse City Film Festival. It went on to play theatrically in over 30 cities and made the NEW YORK TIMES' and other critics’ Best Films of 2005 lists. Andrew was a Breakthrough Director nominee at the 2005 Gotham Awards.

 

Andrew majored in Creative Writing at Brown University. He attended NYU’s Graduate Film School where his short, THE HARDEST HIT, won the Francois de Menil Scholarship. He moved to Los Angeles to write WACCABUC, a screenplay for United Artists and director Mark Rydell, and then became a Directing Fellow at the American Film Institute where he received a Masters in Fine Arts and his thesis film, THE LAST DAYS OF HOPE AND TIME, won the Franklin J. Schaffner Fellowship for Excellence in Directing. Andrew went on to develop his adaptation of THE MAN WHO GAVE UP HIS NAME -- from the collection of novellas, LEGENDS OF THE FALL, by Jim Harrison -- at the Sundance Writer’s Lab. Andrew was the cinematographer on Julie Delpy’s feature, LOOKING FOR JIMMY.

 

Andrew is a Senior Lecturer & Thesis Development/Directing Mentor at the American Film Institute.

Harrison James

Advisor

Harrison James studied directing at Boston University where she received the Dean’s Grant for Filmmaking. She then attended the American Film Institute Conservatory as both a Screenwriting and Directing Fellow. Her screenplay STILL LIFE was a finalist for the Sundance Lab. She is currently writing and directing VENICE BEACH CC, a series, and SHOOTING STAR, a feature about a Marine who comes home from Afghanistan and re-enters his life, changed. She recently directed stage productions of COWBOY MOUTH, SAVAGE LOVE, and FOOL FOR LOVE, all written by Sam Shepard. Harrison is a working writer for producers such as Heather Graham, and directors such as Julian Goldberger, Autumn DeWilde, and Melodie McDaniel. Her spots for Spies Travel were directed by Nicolas Winding Refn, and won the Bronze Lion at Cannes. Harrison co-founded Girl Trip, a production company, panel series and festival to advance emerging femme identifying filmmakers. She is on the Directing faculty at the American Film Institute Conservatory, and is thrilled to be a new Advisor at Sundance Co//ab. Devoted to being an actor’s director, she currently studies with Nancy Banks. Harrison lives and works in Los Angeles, and is represented by Anonymous Content.

No sessions scheduled.

Want to be notified when new dates open for this course?