Apr 13 - Jun 6
Screenwriting: Writing Your First Act
Registration is now closed for this session.
Deborah Goodwin

Course applications are now closed. APPLICATION DEADLINE WAS EXTENDED TO: Wednesday, March 24 at 2pm PT.

Acceptances start after the deadline, and occur on a rolling basis.


Learn how to give shape and form to the first act of your screenplay with experienced screenwriters as your guides. In this intensive live, online course, you will complete the first act of your screenplay through assignments and small group workshops.

In class sessions, you will discuss successful screenplays’ first acts, watch how they move from script to screen, and discuss core concepts. You will then move into a small group breakout session with a course advisor where you will workshop your writing and those of your peers, and work to complete your first act. The course concludes with a one-on-one mentoring session with your advisor focused on your project. 


By the end of the course, you will: 

  • Sharpen your understanding of screenplay sequences and structure, specifically the first act, inciting incidents, and dramatic problems.
  • Understand how to establish the rules of your fictional universe.
  • Discover how to build tension.
  • Develop your characters, their dramatic problems and worthy antagonists.
  • Learn how to give notes to your peers and process notes from your peers and advisors.

This course is ideal for:

  • Writers who have completed an outline of their feature-length screenplay and are looking for guidance from other writers and/or experienced screenwriters in writing their first act.
  • Writers who have completed a full draft of their feature-length screenplay, but want to receive more formal education about the structure of the first act and/or want to take their first act into a workshop setting.

Course enrollment is approximately 36 participants, with a participant to advisor ratio of nine to one. To apply, you must have a completed outline or treatment for the feature-length screenplay you plan to work on in this course. We recommend that you complete Sundance Co//ab’s Screenwriting: Core Elements prior to taking this course.



COURSE DETAILS

The course will be held live in our virtual classroom. All sessions are recorded for registered participants who are unable to attend live.

Sundance Co//ab provides accommodations and support services to participants with disabilities. Accommodations and services are designed to meet the needs of each participant. Please email us at collab_courses@sundance.org to arrange for services. 

  • DURATION: Eight weeks, April 13 - June 6
  • SCHEDULE: Tuesday, 9:30am - 12pm PT
    • Extended last class session: Tuesday, May 25 9:30am - 12:30pm PT
    • One-on-one mentoring sessions are held between Jun 1 - Jun 6
  • APPLICATION DEADLINE: Wednesday, March 24 at 2pm PT
Instructor
New York, NY, USA
Deborah Goodwin is a writer-producer-director, who’s work in film and television began as a Development Executive for Sanford-Pillsbury Productions (DESPERATELY SEEKING SUSAN, RIVER’S EDGE, HOW TO MAKE AN AMERICAN QUILT). Deborah’s Urbanworld Film Festival, Best Screenplay win for her darkly provocative family drama CHERRY’S, launched her filmmaking path. more...
Advisor
Kimberly Barrante is the geeky offspring of a chemist and a librarian. She began her career as a playwright in New York City, after receiving a BA from Emerson College. She received her MFA in Dramatic Writing at Tisch NYU before moving to Los Angeles. more...
Advisor
Los Angeles, CA, USA
Chris Courtney Martin originates from Philadelphia, where they were introduced to the craft of dramatic writing. In high school, Martin placed in the Philadelphia Young Playwrights competition three years out of four. After receiving the prestigious Liberty scholarship, Martin started Drexel University's Screenwriting & Playwriting program, where they switched gears to focus on screenwriting. more...
Advisor
Éva is an award winning film editor having worked with directors such as Francis Coppola, Barbet Schroeder, Peter Bogdanovich and Anjelica Huston. Her screenwriting and feature film directorial debut, An American Rhapsody, starred Tony Goldwyn, Nastassja Kinski and a young Scarlett Johansson. The film is based on the true life events of Éva’s family escaping from Communist Hungary leaving their infant child (Éva) behind. The film received won multiple awards on the Festival Circuit and was released by Paramount Classics. After discovering the bestselling Hungarian novel, Budapest Noir, she developed the script and went on to direct it. It premiered at the Chicago Film Festival, and has played at many other festivals such as Chicago International, Palm Springs, and Shanghai. It is now available on Amazon, Kanopy and other VOD platforms. Éva has taught film directing and thesis film editing at NYFA for ten years and this is her 5th time as advisor on Sundance Collab. more...

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