About this submission

As a film student, I have been heavily influenced by filmmakers from all other the world, especially Europe. This story, in particular, represents my interpretation of the French Nouvelle Vague with its use of non-linear storytelling, handheld camera operation, and Fourth Wall breaks. It also represents my appreciation of filmmakers who seek to push the envelope and question the very nature of film. This story is essentially about telling stories and more specifically about remembering the same story differently (hence the nod to Kurosawa's Rashomon). It's about the fragility of memory and the relativity of truth.

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