Indigenous Interactive Media Session
August 12, 2020 - 3:00PM - 4:30PM PDT
Registration is open until July 19, 2050

Join Sundance Institute's Indigenous Program for a panel discussion with global Indigenous artists who are creating interactive media in the ever-evolving technological space of XR. Panelists will examine the importance of self-determination, agency, and protocol in Indigenized user experiences and will encourage budding artists to explore XR, and join them in the Indigenizing of a new media culture.


Bird Runningwater (Director, Indigenous Program), Amelia Winger-Bearskin (Contentful—Company; Wampum.Codes—Podcast), Tanu Gago (FAFSWAG—Indigenous Arts Collective; FAFSWAGVOGUE—Interactive Documentary), Nyla Innuksuk (Mixtape VR Inc—VR and AR Production Company; Slash/Back—Feature Film) and Terri Janke (Terri Janke and Company—Law Firm) will participate in a panel discussion and Q&A on topics including:   


  • What content is being produced in the field right now.
  • The benefits of working in a field where new technologies rapidly become outmoded.
  • The importance of protocol when translating human culture into digital content.
  • How artists deal with issues of representation and distribution of their work.
  • What the future of interactive media and XR looks like in a COVID world.


Learn more about Sundance Institute’s Indigenous Program and New Frontier Program.


Download the Zoom desktop client for an optimal experience, and submit your questions or comments before the session under “Join the Discussion” below.

 

If you have a disability and require accommodation in order to fully participate in this event, please complete this form, contact us at 435-776-7900, or email us at accessibility@sundance.org to discuss your specific needs. Every effort will be made to accommodate advance requests; requests made within seven days of the event may not be guaranteed.   


The session will be recorded for those unable to participate in the live program. Your participation in this Sundance Institute event constitutes your consent to being recorded and photographed by Sundance Institute during the event and to Sundance Institute sharing those recordings and photos (which may include your name, voice, and/or likeness) with the world, including promotional uses. 

THANK YOU TO OUR SUPPORTERS

 

This program is presented by Sundance Institute and is made possible by generous support from the John S. and James L. Knight Foundation.

 




The John S. and James L. Knight Foundation is a national foundation with strong local roots. We invest in journalism, in the arts, and in the success of cities where brothers John S. and James L. Knight once published newspapers. Our goal is to foster informed and engaged communities, which we believe are essential for a healthy democracy. For more, visit kf.org.


Learn more about the Knight Fellows Project and other upcoming events at Sundance.org/Knight.

Thank you to our Detroit-based collaborator Aadizookaan for their guidance in programming this session.

Panelist
Amelia Winger-Bearskin is an artist/technologist who empowers people to leverage bleeding edge technology to effect positive change in the world. In 2019 she was an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion. In 2018 she was awarded a McArthur and Sundance Institute fellowship for her 360 video immersive installation in collaboration with the artist Wendy Red Star (supported by the Google JUMP Creator program), exhibited at the Newark Museum and ASU in 2019. The non-profit she founded IDEA New Rochelle, in partnership with the New Rochelle Mayor’s Office, won the 2018 $1 Million Dollar Bloomberg Mayor’s Challenge for their VR/AR Citizen toolkit to help the community co-design their city. She is a Sundance Institute Creative advisor and alum of their New Frontiers Story Lab and Festival(AR/VR/XR/AI tech section). In 2018 she was awarded the 100k Alternative Realities Prize for her Virtual Reality Project from Engadget and Verizon Media. Amelia is the founder of the stupidhackathon.com Amelia is Haudenosaunee (Iroquois) of the Seneca-Cayuga Nation of Oklahoma, Deer Clan. more...
Panelist
Nyla Innuksuk is the founder of Mixtape VR. A writer for Marvel Comics, Innuksuk co-created the character of Snowguard, a teenage superhero. Most recently Nyla wrote and directed her first feature film titled Slash/Back, an alien invasion horror set in the Arctic. Nyla currently lives in Toronto and sits on the board of directors of Ontario Creates, and the Glenn Gould Foundation. more...
Panelist
Tanu Gago is an award winning photographer, interdisciplinary artist, filmmaker and activist. He is the creative director of Queer Indigenous arts collective FAFSWAG, and in 2019 was inducted into the Order of Merit, with Queen's honours for services to Pacific arts and the LGBTQIA+ community. He is the creator of the interactive documentary fafswagvogue.com with Piki Films and RESN. more...
Panelist
Dr Terri Janke is Wuthathi/Meriam woman and an international authority on Indigenous Cultural and Intellectual Property (ICIP). Her Sydney based legal firm innovates pathways between IP law and Indigenous cultural rights. She is the author of Screen Australia’s Pathways & Protocols: A filmmaker’s guide to working with Indigenous people, culture and concepts. more...
Born of the Cheyenne and Mescalero Apache peoples, Runningwater was reared on the Mescalero Apache Reservation in New Mexico. He has overseen the Native Lab of the Institute which has launched projects such as Four Sheets to the Wind, Sikumi, Miss Navajo, Shímásání, and Drunktown’s Finest. Runningwater has also established filmmaker Labs in New Zealand and Australia, which have spawned such projects as The Strength Of Water (New Zealand), Samson And Delilah (Australia), and Bran Nue Dae (Australia). more...
Born and raised in Auckland, New Zealand (Tāmaki Makaurau, Aotearoa) Yana is a Spatial Designer, currently based out of Los Angeles. Yana came to Sundance Institute through Auckland University of Technology while completing their undergraduate degree in Spatial Design. Throughout that course, they grew a passion for drawing, ceramics, and queer/indigenous spatial theory. Making space for others is something they endeavor to strengthen their ability to do in their time at Sundance Institute more...

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